The drawers at the moment were too busy to attend to her, and she would have seized the opportunity of examining, unperceived, the assemblage within, through a little curtained window that overlooked the adjoining chamber, if an impediment had not existed in the shape of Baptist Kettleby, whose portly person entirely obscured the view. “I can get very angry. He was tall and straight, and his expression was good. Grace, confidence, the power of movement even, seemed gone from her. They were so nearly alike that the difference would be due to a shaky hand. He too, when she had disappeared, called a carriage. He could imagine it even if he could not feel it.
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