She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. Reaching the panel, she was able with the aid of her lantern to find the lever at once. It was still raining heavily, and profoundly dark. It throws out a number of broad experimental generalizations, and then sets out to bring into harmony or relation with these an infinitely multifarious collection of phenomena.
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