Another long interval elapsed. She saw herself begin a slow, sinuous dance: and stop suddenly in the middle of a figure, conscious that the dance was not impromptu, her own, but native—the same dance she had quitted but a few minutes gone. This lifeless appearance was heightened by the extreme sharpness of her features—especially the nose and chin,—and by the emaciation of her limbs, which was painfully distinct through her drapery.
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