Over the mantel, set into an ornately carved panel with fluted columns at each end, was a portrait of a man on horseback. Deserted by his older companion in iniquity, and instigator to crime, he did not know what might become of him; nor, as we have observed, was the sad spectacle he had just witnessed, without effect. Wood's favourite sitting-room, and her image was so intimately associated with it, neither the carpenter nor his daughter could muster courage to enter it before.
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