But as she got out of the train at Morningside Park Station she had a shock. She had to wait some minutes in an outer office, wherein three young men of spirited costume and appearance regarded her with ill-concealed curiosity and admiration. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. Her husband finally relented.
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