She slipped past the servants, her soft roe-skin shoes unheard on the old stone. To recreate the era, I deliberately tried to avoid creating a thinly disguised bodice ripper where an “empowered” woman mouthed off to prospective suitors in jerkins and tights, in other words, a typical romance novel. Her figure was, in some measure, hidden by a large scarf, and a deep hood drawn over the head contributed to her disguise; still it was evident, from her lofty bearing, that she had nothing in common, except an interest in their proceedings, with the crew by whom she was surrounded. She had narrowly escaped Martin in Orchestra class, who had been wrapped up discussing a new piece of his with Mr.
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